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Tania Bruguera is an interdisciplinary artist working
primarily in behavior art, performance, installation and video.
She has been a participant in Documenta 11 (Germany)
as well as in several biennales such as Venice (Italy), Johannesburg (South
Africa), Sao Paolo (Brazil), Shangai (China), Havana (Cuba), and Site
Santa Fe (United States.)
Her work has also been exhibited at The New Museum of
Contemporary Art (United States); The Museum of Contemporary Art of Chicago
(United States); Boijmans van Beuningen Museum (The Netherlands); Museum
für Moderne Kunst (Germany); Helsinki Art Museum (Finland), The Whitechapel
Art Gallery (England); Centro de Arte Contemporáneo Wifredo Lam (Cuba)
and Museo Nacional de Bellas Artes (Cuba). She has performed in venues
such as The Kunsthalle Wien (Austria); Stedjlick Museum von Actuele Kunst
(Belgium); Museo X-Teresa Arte Actual (Mexico); Museo de Bellas Artes
(Venezuela) and The Institute of International Visual Art (England.)
She has lectured extensively internationally among others
at The New School in New York, The School of the Art Institute in Chicago,
The Royal College of Art in London and The Museum of Modern Art in New
York.
In 1998 she was selected as a Guggenheim fellow (United
States). In 2000 she received the Prince Claus Prize (The Netherlands.)
Her work is part of the collection of the Museum für
Moderne Kunst (Germany); Daros Foundation (Switzerland); JP Morgan Chase
Bank (United States); Museum of Modern Art, artist book collection (United
States); Bronx Museum (United States); Museo Nacional de Bellas Artes
(Cuba); Centro de Arte Contemporáneo Wifredo Lam (Cuba); The New Museum
for Latin American Art (England.)
Bruguera was featured in "Fresh Cream" (Ed. Phaidon,
England); "Performance Live Art Since 1060's" (Ed. Thames and Hudson,
Ltd., England); “Art Tomorrow” (Ed. Terrail, France); Holy terrors: Latin
American women perform (Ed. Duke University, United States); “Corpus Delecti
-Performance Art of the Americas” (Ed. Routledge, England); New Art of
Cuba (Ed. University of Texas Press, United States.) She has been written
about in The New York Times, Le Monde, The Village Voice, Newsweek, Chicago
Tribune and Los Angeles Times, and reviewed in Art News, Artforum, Flash
Art, Art Nexus, The Nordic Art Review, Beaux Arts, Performance Research,
Kunstforum among others.
She was an Artist - in - Residency at Skowhegan School
of Painting and Sculpture (United States); San Francisco Art Institute
(United States); Khoj artists residency (India); Headlands Centers for
the Arts (United States); The Western Front (Canada); The Gasworks Studios
(England); ART/OMI International Workshop (United States).
She received her MFAs from The School of the Art Institute
of Chicago (United States) and Instituto Superior de Arte (Cuba). Her
BFA is from Escuela de Arte San Alejandro (Havana). She currently lives
and works between Chicago and Havana.
She is the founder / director of Arte de Conducta, the
first performance studies program in Latin America, hosted by Instituto
Superior de Arte in Havana and is faculty at The School of the Art Institute
of Chicago.
Critic and curator Gerardo Mosquera wrote after her performance
“The Burden of Guilt”: "Tania Bruguera recently astounded audiences with
a stunning political image -- perhaps the most awe inspiring piece ever
made by a visual artist from the island."
Critic Christian Chamber wrote after the 2000 Havana
Biennale: "Bruguera scored a knockout with her work. It's rare that anyone,
with such exact artistic means and such courage, exposes a difficult political
and social situation from the inside."
Of her performance/installation work Octavio Zaya wrote:
"Tania Bruguera toys restlessly with the idea that individual stories
should be understood within the context of social and historical experience.
This approach, however, is not the result of a deliberate scheme to devise
an essential pattern or formula. On the contrary, Bruguera weaves a dense
and intricate fabric out of apparently disconnected issues (...). These
open up into a project both intellectual and quotidian that engages the
viewer in a constant exchange of signifying possibilities."
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